cultureId is focused on progressive political and social issues. Currently in the final stages of development, cultureID’s multifaceted mission is to broadly dessiminate information on socially important projects within the artistic/creative community, to offer a base for communication and collaboration between artists of varying media/geographic areas, and to broaden awareness and accessibility to vitally important issues of the 21st century.
Coming soon ... Spotlight On Hunger - a look at the issue and work being done to address the causes and effects in our lives. Each month, a current issue will be highlighted in 'Spotlight on...' Help us select the issues by voting. Members can add issues for the next poll in the comments field.
Around 1990, I called my friend Geoff Cowan seeking information about a First Amendment issue I was researching. Geoff was teaching at UCLA at the time and was known to be an expert in the field. He answered my questions, and then told me about a docudrama he had written with his friend Leroy Aarons called TOP SECRET: THE BATTLE FOR THE PENTAGON PAPERS. Leroy, a Pulitzer Prize-winning journalist, was The Washington Post bureau chief at the time of the “dust up” over the Papers.
As March ushers in Women’s History Month, CARE, the global poverty-fighting organization, will present its second annual International Women’s Day event on Thursday, March 4th at 7:30 p.m., at movie theaters across the US. The best-selling book, Half the Sky, written by Pulitzer Prize-winning journalists Nicholas Kristof and Sheryl WuDunn, will be brought to life onscreen for a special one-night-only event.
In 1987, Robert Townsend wrote, directed, produced, and starred in Hollywood Shuffle – a comedy that took a look at how African-Americans were stereotyped and marginalized in film and television. In the new documentary, Why We Laugh: Black Comedians on Black Comedy, director Townsend comments on the genesis of Hollywood Shuffle saying, “It was born out of a lot of pain.”
When I first joined The Man in Room 306, Craig Alan Edwards (writer, performer, and co-producer) gave me a copy of a New Yorker article entitled “How David Beats Goliath” by Malcolm Gladwell. As I read it, I realized that our struggle in bringing a politically important work of art to New York City not only mirrored David’s battle with Goliath, it also emulated the organizational and emotional challenges of Dr.
Afghan Institute of Learning
Art Work
Center for Contemporary Arts Afghanistan
City Arts
Culture Project
E A Sackler Center for Feminist Art
Equality Now
Global Fund for Women
Human Rights First
MOCAD
Museum of African American History
NOT FOR SALE
Polaris Project
The Body: Visual Aids
Vital Voices
The Walter P. Reuther Library
Women for Women